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“Every time we had to go back and do more songs for the album, there’d always be five or six Eminem beats. By the time it came back, it was different.” Budden says that Eminem picked the beats. At 48:00, Joe claims, “We had to send somewhere. While Eminem did not take Slaughterhouse on the road with him or provide a verse for the group’s first album with Shady, he had input on the songs. Meanwhile, Joe’s suggestion that ‘House open up for Em’s touring was met with the fact that Marshall was “too big” to tour during the 2010s. The Em features Budden thought may be given to S.H.’s album did not happen. Budden says that unlike Rick Ross’ development of Wale and Meek Mill at Maybach Music Group, Eminem was hands-off with the super-group of lyricists. He says that he viewed Eminem and Shady Records differently than the three band-mates. In the moments that follow, Joe Budden blames himself for the demise of Slaughterhouse. The host tells his co-hosts and audience to “make of that what you will.” Joe contends that he is currently “closer to Drake” than he is to Eminem. That would have happened concurrent to his beef with Drake, as the co-hosts remind him. Moments later, Joe says that in the last year, he was “talked out of” a diss record aimed at Eminem. Boy, am I glad this day is finally here! Because it allows us to be truthful, finally! Boy, I love when the gloves come off! I love when we can stop dancing around respect because I was taught that this industry was built off of relationships,” begins Joe. At 36:40, Joe tells co-hosts Rory and Mal (as well as producer Parks) that “this has been building up for a long time. On the latest episode (#177) of The Joe Budden Podcast, the show’s host publicly responds to the most recent development. “ Somebody tell Budden before I snap, he better fasten it or have his body bag get zipped / The closest thing he’s had to hits is smackin’ b*tches,” raps the Detroit MC/mogul.Įminem Brings Back Slim Shady In The Video For His Joe Budden Diss On the video single “The Fall,” Em mentions Joe by name. On Kamikaze, there is no doubt that Marshall Mathers was bothered. D12 member Bizarre was among those who saw things differently, claiming Joe was out of line to bite the hand that once fed him and upset his onetime boss. That non-album remix arrived during a time when Joe Budden insisted that there was no beef with Eminem. It certainly punched at all parties who criticized the MC’s latest work. For much of the last decade, the currently-retired Joe was a member of Slaughterhouse, a group that remains signed to Em’s Shady Records.Įarly this year, Eminem’s “Chloraseptic (Remix)” appeared to address Joe’s jabs towards Revival material subliminally. The news came after Budden was publicly critical of Eminem’s 2017 work, ( especially singles “Walk On Water” and “Untouchable”) via his platforms, Everyday Struggle and The Joe Budden Podcast. The Jersey City MC-turned-media host says he woke up to learn that Eminem addressed him on a sneak-attack album, Kamikaze. “It goes back to the dignity thing, the loyalty,” Royce said, adding, “I can say I don't like every single Eminem song that ever came out, and I'm entitled to that opinion.but there's such thing as going past the realm of what your opinion is, and making it so that you're trying to sway people's judgement.Friday (August 31) marked Joe Budden’s 38th birthday. On Tuesday, Royce da 5’9” appeared on Rap Radar, where he discussed Budden and Em’s quarrel. Still, Budden had no issue ripping into “Untouchable.” In the past, the two have had a friendly relationship: Budden even wrote his 2015 song “Slaughtermouse” as an ode to the Detroit icon. In December, during an episode of Everyday Struggle, Budden berated the song, calling it “one of the worst records he ever heard,” and alleged Eminem of exploiting the black man’s plight for sales. Afterwards, rumors spread that the two had a falling out.
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Joe Budden ended up being one of Em’s biggest critics, even while Budden's signed to Shady Records through Slaughterhouse. Though some-like Rodney King’s daughter-were grateful that Em shone a light on black people's struggle in America, some thought the song was a misfire.
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Eminem’s Revival album cut “Untouchable” was polarizing, to say the least.